{"id":456,"date":"2014-11-29T16:35:43","date_gmt":"2014-11-29T16:35:43","guid":{"rendered":"http:\/\/aroadkillopera.com\/test\/?p=456"},"modified":"2014-11-29T16:35:43","modified_gmt":"2014-11-29T16:35:43","slug":"long-ago-and-far-away","status":"publish","type":"post","link":"https:\/\/aroadkillopera.com\/test\/2014\/11\/29\/long-ago-and-far-away\/","title":{"rendered":"Long Ago and Far Away"},"content":{"rendered":"

The roadkill opera journey began on a cold night in Chicago. \u00a0When I moved to Evanston, Illinois, for college, I brought my Onkyo receiver and my cassettes. \u00a0No classical in my collection, though, as I relied on my father’s albums when home in Nashville. To fill the gap, I began recording off the FM classical station, simply recording over the stuff I didn’t like.<\/p>\n

\"Photo<\/a>
View from my room as I recorded the mystery music in the winter of ’79.<\/figcaption><\/figure>\n

This triage resulted in the survival of a mystery opera–one I assumed to be Mozart that ultimately was identified for me in 2003 as the work of Ferdinando Paer. Paer was the first to respond to the repeated requests of the Empress of Austria, Marie Therese, who wanted a new musical setting for her favorite libretto, Leonore<\/em><\/strong>, a\u00a01798\u00a0escape drama written by Jean-Nicolas Bouilly and set to music by Pierre Gaveaux.<\/p>\n

\"Graphic<\/a>
Paer’s 1804 Leonora<\/strong> was the second version of the story set to music. Beethoven’s Fidelio<\/strong> was three of the six versions. Parker kept Paer’s music and wrote a new story and libretto to it.<\/figcaption><\/figure>\n

In that winter of 1979-1980, I had no idea who had written the music and I had no clue as to the story–all I knew then (and for the next 24 years) was that the music was highly melodic and had infectious hooks. What I learned later–much later–was that the Empress’s wish was met not once, not twice, but three times: by Paer, by Johann Simon Mayr, and by Ludwig van Beethoven, for whom it was his only opera–Fidelio<\/strong><\/em>.<\/p>\n

\"photo<\/a>
A Roadkill Opera<\/strong> resets Ferdinando Paer’s music from his 1804 Leonora<\/strong> to a new story (in English) set in 1988 Jackson Hole, Wyoming–opening night for the Roadkill On A Stick Frozen Foods Theatre Company, a comedy improv troupe<\/figcaption><\/figure>\n

The 1804\u00a0Paer Leonora<\/strong><\/em> that so caught my ear was–and remains–the only commercial recording released. The album I heard was released in 1979\u00a0and was not issued on CD until after we went into the studio to record A Roadkill Opera<\/strong><\/em>.<\/p>\n

\"Cover<\/a>
The 1979 release of Ferdinando Paer’s 1804 Leonora<\/strong> was a passion project for conductor Peter Maag. He recorded it with the Bayerisches Symphonieorchester, Ursula Koszut, Siegfried Jerusalem, Giorgio Tadeo, Edita Gruberova, Wolfgang Brendel, Norbert Orth, and John van Kesteren.<\/figcaption><\/figure>\n

After workshopping A Roadkill Opera<\/strong><\/em> at Artomatic 2012 in June, in December I re-visited the shop in Vienna, Austria, that had first identified the recording for me; the staff confirmed that Leonora<\/strong> <\/em>was still out of print. So, in January 2013, Maestro Jeffrey Dokken and I reassembled most of the workshop performers to record A Roadkill Opera<\/strong><\/em>.<\/p>\n

One of the things I learned from John Rice’s excellent book Empress Marie Therese and Music at the Viennese Court, 1792-1807<\/strong><\/em><\/a>,\u00a0was that Paer had been a regular performer in the Empress Marie Therese’s house concerts–that is, her performances put on only for her own amusement in her palace chambers. When Paer was composing Leonora<\/strong> <\/em>for the Empress, I am sure the had in mind both his ambition to have the opera performed in public with full orchestra (as reflected in the 1979 Maag recording) and the likelihood that the Empress would perform the work in chambers with a smaller ensemble. Our workshop and recording of A Roadkill Opera<\/strong><\/em> reflect how Paer likely anticipated the Empress would hear and perform the work.<\/p>\n

\"Cover<\/a>
John RIce detailed the ambitious musical appetite of Empress Marie Therese, and laid bare the reason there were three new versions of her 1798 favorite libretto Leonore<\/strong> produced in 1804-1805.<\/figcaption><\/figure>\n

After we laid down the orchestral tracks and the scratch tracks for the vocals in January 2013, I\u00a0found out that the music that had first inspired me had been released for the first time on CD. \u00a0The Decca Eloquence label in Australia released Leonora <\/a><\/strong><\/em>on a two-CD package that includes the libretto. You get the lyrics in English translation as well as the original Italian.<\/p>\n

\"Cover<\/a>
In February 2013, Decca released Leonora<\/strong> on CD<\/a> for the first time. A Roadkill Opera<\/strong> was already halfway through its studio recording.<\/figcaption><\/figure>\n

We pressed on with our recording of A Roadkill Opera<\/strong><\/em>. In the do it yourself punk spirit of the Chicago music scene I grew up in, by the end of 2013 I also published the sheet music so you can follow along, play along or put on your own chamber performance. You can find the album and sheet music for A Roadkill Opera<\/strong><\/em> on Amazon<\/a>; the recording is also available on iTunes <\/a>and CD Baby<\/a>. \u00a0If you are looking for an unusual holiday gift, I can about guarantee they don’t have this!<\/p>\n","protected":false},"excerpt":{"rendered":"

The roadkill opera journey began on a cold night in Chicago. \u00a0When I moved to Evanston, Illinois, for college, I brought my Onkyo receiver and my cassettes. \u00a0No classical in my collection, though, as I relied on my father’s albums when home in Nashville. To fill the gap, I began recording off the FM classical … Continue reading Long Ago and Far Away<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-456","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/posts\/456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/comments?post=456"}],"version-history":[{"count":6,"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/posts\/456\/revisions"}],"predecessor-version":[{"id":467,"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/posts\/456\/revisions\/467"}],"wp:attachment":[{"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/media?parent=456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/categories?post=456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aroadkillopera.com\/test\/wp-json\/wp\/v2\/tags?post=456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}