A Roadkill Opera!!! Recorded Live is a mashup of a backstage screwball comedy set in 1988 Wyoming with music from Ferdinando Paer’s 1804 opera Leonora. It tells the story of the hour before the lights go up on the first professional gig for an amateur comedy improv troupe–the Roadkill On A Stick Frozen Foods Theatre Company–at the legendary Silver Dollar Bar in the Wort Hotel in Jackson Hole. During that hour, they find out their showroom will be torn down after their run. Hilarity ensues.

The film combines footage from A Roadkill Opera’s 2016 live shows at the James Lee Community Theater in Falls Church, Virginia; the Mead Theatre Lab at Flashpoint in Washington, DC; a brief segment from an Artomatic 2012 workshop in Crystal City, Virginia; excerpts from the 1988 and 1992 Jackson Hole comedy revues by the Roadkill On A Stick Frozen Foods Theatre Company; a segment filmed at the 2015 GRAMMY Awards; and behind the scenes at rehearsals for A Roadkill Opera.

With action set in the 1980s, this over-the-top production employs presentational and naturalistic theatrics; borrows tropes from Sherlock Holmes, the Marx Brothers, vaudeville, silent movies, and Monty Python’s Flying Circus; and nods to King Kong, Marie Antoinette, and the Dead End Kids/Bowery Boys. Works by Weird Al Yankovic and PDQ Bach belong on the same playlist as the soundtrack to A Roadkill Opera!!! Recorded Live.

————— The Score’s Backstory ————-

There was a 1798 two-act comic opera, Leonora, ou L’Amour conjugal. It had a French libretto by Jean-Nicolas Bouilly, with the action set in sixteenth-century Spain—what is referred to in the opera world as an escape drama. The Bouilly libretto was set to music by Pierre Gaveaux.

Marie Therese, grand-daughter of Empress Maria Theresa, grew up in musical Milan and, when she wed her Austrian cousin and herself became Empress of Austria, brought her passion for music with her. She loved music; made copies, swapped copies, played, sang, and produced public concerts two or three times a year; and, three to ten times a month she would stage private concerts for her own amusement, amassing an ensemble of 12 to 16 musicians and singers to play for two or three hours. In her private concerts, Marie Therese would sing. And she would tell anyone who would listen that her favorite libretto of all time was Bouilly’s Leonora, and she wished someone would set it to new music for her. Within two years, there were not one, not two, but three new settings for her.

Paer and Mayr and Beethoven all worked in Vienna, and were all well-aware of the Empress’s generosity towards those who supplied her with new music. Ferdinando Paer, the Parma-born music director at the Kärntnertortheater in Vienna and a regular performer in Marie Therese’s private concerts, moved to another court in Dresden while Austria was at war with Napoleon. It was in Dresden that Paer finished his Leonora for the Empress in 1804. The overture and first act of Paer’s Leonora are the musical basis for A Roadkill Opera. After Napoleon defeated the Austrians, Paer moved to Paris where he eventually headed up the Opéra-Italien, to be succeeded by Rossini. When Paer died in 1839, his Leonora was forgotten.

Forgotten, that is, until another musical denizen, intrigued by Beethoven’s high praise for Paer’s music, recovered Paer’s Leonora. Peter Maag found Paer’s Leonora while artistic director of the Teatro Regio di Parma in Paer’s home town. Maag was so taken with it that he mounted a radio production in 1976 and followed up with a 3-disc boxed set on London Records in 1978. After 140 years of neglect, Paer’s Leonora was back.

Praise

“Good luck at the GRAMMYs. How could you not win with a name like that?”
Ann Patchett, author of award winning
New York Times bestselling Bel Canto

“… a very, very, cool thing… exceptionally well done…”
Paul Barrosse, writer/performer, Mee-Ow Show,
Practical Theatre Company, and Saturday Night Live

“Songs like ‘Impress Them,’ ‘Cod Piece Dining,’ ‘Jello,’ and [Gonna buy my old granddad a] ‘Geo’ pair offbeat humor with beautiful vocals and music.”
Pam Schipper, Gaithersburg News Courier

“An inspired, imaginative work, technically worthy of the highest praise… the orchestration is faultless and complements the vocal parts beautifully.”
Peter Maag writes about Paer’s Leonora

“Roadkill… advances a medley of witty ideas and local jabs. The results are a stitch.”
David Swift, Jackson Hole News, writes about Roadkill!!! Comedy Revue