Monthly Archives: July 2018

30 Years On, I Love You, DJ Choupin

Photo of Debby (DJ Choupin) cheered on the cast prior to the 1988 opening night of Roadkill Live!!! at the Wort Hotel in Jackson, Wyoming
Debby (DJ Choupin) cheered on the cast prior to the July 5, 1988, opening night of Roadkill Live!!! at the Wort Hotel in Jackson, Wyoming
Photo of DJ Choupin in a red cape by a high mountain lake in 1980s Jackson Hole
DJ Choupin in 1980s Jackson Hole
Photo of DJ Choupin at work at Hatch Show Print
Photographer and merchandising director DJ Choupin got hands on at Hatch Show Print in Nashville, Tennessee, in June 2015. Hatch’s legendary letterpress artists designed and printed the posters for the Artomatic 2012 workshop concert of A Roadkill Opera. That poster was the basis of the covers for the sheet music and CD released in 2013.
Photo of Artomatic 2012 exhibitor, photographer DJ CHoupin, at the reception for Artomatic Takes Flight. George Koch is in the background at far right.
Four-time Artomatic exhibitor, photographer DJ Choupin, at the reception for Artomatic Takes Flight. George Koch is in the background at far right.
Photo of DJ Choupin hawking If You See Roadkill, Think Opera, at the 2014 Gaithersburg Book Festival.
DJ Choupin hawking If You See Roadkill, Think Opera, at the 2014 Gaithersburg Book Festival. 22,000 people were estimated to attend the May 17 event. Note the viola cases book-ending the table display.
DJ Choupin, merchandising director, just prior to opening night for the world premiere of A Roadkill Opera at the Mead Theatre Lab at Flashpoint in Washington, DC, in January 2016
Photo of DJ Choupin and RIch Gaudiosi on a motorcycle
DJ Choupin is a motorcycle fan. Here she is catching a ride with Rich Gaudiosi.
Photo of DJ Choupin and Emilia Barrosse outside, with a motorcycle.
DJ Choupin with stand-up Emilia Barrosse after a killer comedy set at the Belly Room at the Comedy Store in Los Angeles.
Photo of DJ Choupin's at the installation of her exhibit at Artomatic 2017 in Crystal City, Virginia.
DJ Choupin at the installation of her exhibit at Artomatic 2017 in Crystal City, Virginia. Of the 600 visual artists exhibiting, Choupin was selected by the curators for a solo show in the Arlington County libraries.
DJ Choupin at Buffalo Bill Cody’s TE Ranch outside Cody, Wyoming. This is her element.

 

From “The Cocktail Hour in Jackson Hole” to “Hungry Men Don’t Swerve” via “A Roadkill Opera”

Photo of the cover from A Roadkill Opera: Overture Conductor's Score & Parts, which has the logo from A Roadkill Opera, a cheerleader standing under the 1988 marquee of the Silver Dollar Bar & Lounge, and a photo of the cast in the January 2016 world premiere performance sitting at a bistro table with a stuffed llama.
Published in 2017, A Roadkill Opera: Overture Conductor’s Score & Parts is a compact, affordable set of tear-out (well, pull out carefully) parts for the 9-minute piece. It is musically identical to Ferdinando Paer’s Overture from the 1804 Leonora.

Living in 1985 Jackson, Wyoming, the lore and legend of the Wort Hotel and its legendary Silver Dollar Bar were inscribed in my head both by direct experience of local and touring acts in the Showroom (as the Greenback Lounge was inevitably called by the locals) and vicariously through a local author’s library book titled The Cocktail Hour in Jackson Hole. That 1956 book is described on the back cover (and on a current Amazon listing) thusly:

“In Jackson Hole, Wyoming, the cocktail hour is not from 5:00 to 7:00, as it is in bigger and fancier places, but from mid-September to Thanksgiving (allowing, of course, for patients with chronic salty stomachs who carry on “until March, or until jail, whichever comes first”). After the dudes have gone, the Eastern girls leaving broken hearts behind them, the permanent personnel of the Hole settles down for the off-season. Cowboy, rancher, dude wrangler, ranger, bartender, and marooned shill, they live it out to the friendly mood music of the tinkle of indoor ice, the whisper of poker-hands dealt, and the low guttural cry of the ruby-throated crap shooter. It is a community of kindred souls and wonderful. The seasons move on autumn with its wonderous cocktail hour; winter with its snow up to 15 feet and cold down to 63 below, its mad elk, and the horrors of cabin fever; and finally the first thaw. And there is Mr. Hough himself, gingerly and with a certain elegance winding his way through it all, determined to live until spring, a time when the melting snow discloses the staggering crop of winter’s empties in the back yard, and when staid citizens sneak out at midnight to throw their bottles into the yards of their neighbors – an exchange that always comes out even. Mr. Hough has been a willing Boswell – on a participating basis – to an engaging world. His account of this small community, high in the backbone of the Rockies, makes an enormously readable, gay and true winter’s tale. — from book’s back cover”

The characters I met in the hole in the mid-1980s seemed ripe for a similar treatment, especially when, in the same time period, the locals in Savannah, Georgia were so grippingly portrayed In the Garden of Good and Evil. Perhaps that story will still be told for all of the characters I met circa 1984-1992, including Captain Bob, Frank Ewing, Breck O’Neill, Steve Fontanini, “Weird” Ed Bachtel, “Marvelous” Marv Wendl, Holly Danner, and Deb Choupin. For now, though, the last three on this list are among the six characters in a real-time tale  about how a ragtag troupe of amateur improv comedians took over the Wort Hotel’s Silver Dollar Showroom for 8 weeks during the summer of 1988. That was the year of the Yellowstone fires.

Immortalized as a 59-minute sung-through opera set to the music from Ferdinando Paer’s 1804 Leonora, Parker & Paer’s A Roadkill Opera had its world premiere performances in January 2016 at the Mead Theatre Lab at Flashpoint in Washington DC and was subsequently performed in October 2016 by the Symphony Orchestra of Northern Virginia at the James Lee Community Theater in Falls Church, Virginia.

Building on the advice given by Stephen Schwartz at the February 2018 ASCAP Musical Theatre Workshop in Los Angeles, the story is being expanded and reshaped into a musical with the working title Hungry Men Don’t Swerve. Discussions are underway for a possible premiere in Jackson Hole. Stay tuned!