All posts by Stephan Alexander Parker

From “The Cocktail Hour in Jackson Hole” to “Hungry Men Don’t Swerve” via “A Roadkill Opera”

Photo of the cover from A Roadkill Opera: Overture Conductor's Score & Parts, which has the logo from A Roadkill Opera, a cheerleader standing under the 1988 marquee of the Silver Dollar Bar & Lounge, and a photo of the cast in the January 2016 world premiere performance sitting at a bistro table with a stuffed llama.
Published in 2017, A Roadkill Opera: Overture Conductor’s Score & Parts is a compact, affordable set of tear-out (well, pull out carefully) parts for the 9-minute piece. It is musically identical to Ferdinando Paer’s Overture from the 1804 Leonora.

Living in 1985 Jackson, Wyoming, the lore and legend of the Wort Hotel and its legendary Silver Dollar Bar were inscribed in my head both by direct experience of local and touring acts in the Showroom (as the Greenback Lounge was inevitably called by the locals) and vicariously through a local author’s library book titled The Cocktail Hour in Jackson Hole. That 1956 book is described on the back cover (and on a current Amazon listing) thusly:

“In Jackson Hole, Wyoming, the cocktail hour is not from 5:00 to 7:00, as it is in bigger and fancier places, but from mid-September to Thanksgiving (allowing, of course, for patients with chronic salty stomachs who carry on “until March, or until jail, whichever comes first”). After the dudes have gone, the Eastern girls leaving broken hearts behind them, the permanent personnel of the Hole settles down for the off-season. Cowboy, rancher, dude wrangler, ranger, bartender, and marooned shill, they live it out to the friendly mood music of the tinkle of indoor ice, the whisper of poker-hands dealt, and the low guttural cry of the ruby-throated crap shooter. It is a community of kindred souls and wonderful. The seasons move on autumn with its wonderous cocktail hour; winter with its snow up to 15 feet and cold down to 63 below, its mad elk, and the horrors of cabin fever; and finally the first thaw. And there is Mr. Hough himself, gingerly and with a certain elegance winding his way through it all, determined to live until spring, a time when the melting snow discloses the staggering crop of winter’s empties in the back yard, and when staid citizens sneak out at midnight to throw their bottles into the yards of their neighbors – an exchange that always comes out even. Mr. Hough has been a willing Boswell – on a participating basis – to an engaging world. His account of this small community, high in the backbone of the Rockies, makes an enormously readable, gay and true winter’s tale. — from book’s back cover”

The characters I met in the hole in the mid-1980s seemed ripe for a similar treatment, especially when, in the same time period, the locals in Savannah, Georgia were so grippingly portrayed In the Garden of Good and Evil. Perhaps that story will still be told for all of the characters I met circa 1984-1992, including Captain Bob, Frank Ewing, Breck O’Neill, Steve Fontanini, “Weird” Ed Bachtel, “Marvelous” Marv Wendl, Holly Danner, and Deb Choupin. For now, though, the last three on this list are among the six characters in a real-time tale  about how a ragtag troupe of amateur improv comedians took over the Wort Hotel’s Silver Dollar Showroom for 8 weeks during the summer of 1988. That was the year of the Yellowstone fires.

Immortalized as a 59-minute sung-through opera set to the music from Ferdinando Paer’s 1804 Leonora, Parker & Paer’s A Roadkill Opera had its world premiere performances in January 2016 at the Mead Theatre Lab at Flashpoint in Washington DC and was subsequently performed in October 2016 by the Symphony Orchestra of Northern Virginia at the James Lee Community Theater in Falls Church, Virginia.

Building on the advice given by Stephen Schwartz at the February 2018 ASCAP Musical Theatre Workshop in Los Angeles, the story is being expanded and reshaped into a musical with the working title Hungry Men Don’t Swerve. Discussions are underway for a possible premiere in Jackson Hole. Stay tuned!

The Friday Club in Evanston, Illinois – Larry David, David Grisman Quartet, Comedy Magician Stephan Parker

It was the 80s.

Local cable in Evanston, Illinois, had a sketch comedy show modeled after Saturday Night Live, called variously Fridays or The Friday Club. Stephan Alexander Parker had been a semi-professional magician from 8th grade until, after about 100 paid gigs under the stage name “Alexande”, he began the transition to stand-up–around his freshman year in college. At the end of his sophomore year, a woman in his dorm booked Parker’s stand-up act for her sister’s Sweet Sixteen party in Skokie, Illinois. That was Parker’s first paid comedy gig. One bit from Parker’s magic days survived into the 1980s and even made it onto the local cable TV, live, sketch comedy show The Friday Club: Herby the Amazing Disappearing Elephant.

Screenshot of the cast for The Friday Club
Opening credits for the live, local cable variety/sketch comedy show in Evanston, Illinois, in the 1980s, The Friday Club, featured The Very Famous Friday Club Players. It was a Chicago thing to put a twist on the names of other, more famous acts. Thus, The Very Famous Friday Club Players was a play on The Not Ready For Prime Time Players. Or Naked Raygun was a play on the Sex Pistols.
Photo of studio audience clapping.
The Friday Club was filmed before a live studio audience.
Photo of audience clapping.
The Friday Club audiences could be very enthusiastic.
Photo of a very young Larry David on the Evanston, Illinois cable TV show The Friday Club in 1981.
Larry David introduced the David Grisman Quartet on The Friday Show. Yes, that Larry David. Yes, that David Grisman.
Photo of the David Grisman Quartet performing in a TV studio on The Friday Club in Evanston, Illinois, in 1981.
The David Grisman Quartet performed live on local cable TV in Evanston, Illinois, on The Friday Club in 1981. It was about this time that Stephan Parker, light and sound man, set up lighting for their gig at the Norris University Center on Northwestern University’s campus in Evanston.
Photo of David Grisman playing the mandolin in 1981 on The Friday Club
David Grisman on mandolin.
Screen shot of credits showing text "Comedy Magician Stephan Parker" over a photo of The Very Famous Friday Club Players in character and costumed as Star Trek's Sulu, Spock, and Captain Kirk
Stephan Alexander Parker’s first TV credit was on The Friday Club in Evanston, Illinois. He wasn’t using his middle name professionally at the time. Getting his credit over a shot of the show’s cast in costume as Star Trek‘s Sulu, Spock, and Captain Kirk was a bonus.
Photo of Stephan Alexander Parker with a balloon on The Friday Club in Evanston, Illinois
Starting off Stephan Alexander Parker’s comedy set–they gave him 10 minutes–he told some jokes while making a balloon elephant.
Photo of Stephan Alexander Parker introducing his comedy and magic partner, Herby the Amazing Disappearing Elephant on The Friday Club in Evanston, Illinois in the 1980s.
Stephan Alexander Parker introducing his comedy and magic partner, Herby the Amazing Disappearing Elephant. Herby had been in Parker’s act since seeing The Magic Show on Broadway. If Doug Henning could make an elephant disappear, why not Parker? All he needed was an elephant and an audience.
Photo of Herby the Amazing Disappearing Elephant about to be "vanished" as we said in the magic community in the 1980s.
Herby the Amazing Disappearing Elephant was performed on live cable TV only once, with cameras at all angles. The technique for Herby’s disappearance was upscaled from a sleight-of-hand technique first demonstrated by the brilliant (and very funny) George Jahad. Magicians in the 1980s used “vanish” as a verb. As in “I’m going to vanish this elephant.” Savages.
Photo of Bob-O and Stephan Alexander Parker
Comedy Magician Stephan Alexander Parker with Herby, the Amazing Disappearing Elephant must have been a success, as host Bob-O called me over for a live interview at his desk on The Friday Club in Evanston, Illinois in the 1980s. He offered up Dino so Parker could re-enact a bit from his old stand-up act, when Chuckie the Fish would do an impression of Lake Michigan. Alewives, anyone?  Anyone? Buhler? Buhler?
Photo of Comedy Magician Stephan Parker on The Friday Club local cable TV show in Evanston, Illinois, in the 1980s.
Comedy Magician Stephan Parker on The Friday Club, a live, local cable TV show in Evanston, Illinois, in the 1980s. Host Bob-O can be seen on the left side of the photo. Parker took his stand-up act on the road in the 1980s, playing the Roxy in Chicago, Catch A Rising Star in Cambridge, Massachusetts, and the Bluebird Cafe in Nashville, before landing in Jackson Hole, where he and “Weird Ed” Bachtel hosted the open mic night at Spirits of the West Saloon.
Photo of the studio audience at cable TV sketch comedy The Friday Show in 1980s Evanston, Illinois, with Cyndi Moran and Eric Scholl visible.
The crowd at The Friday Show went wild! Well, the crowd applauded Herby the Amazing Disappearing Elephant. Pretty sure that is Cyndi Moran and Eric Scholl in the studio audience. They’re the ones who got Stephan Alexander Parker booked on the show.
Photo of studio audience for The Friday Club cable tv show in 1980s Evanston, Illinois, with the camera operators.
Cyndi Moran & Eric Scholl and Stephan Alexander Parker were radio/tv/film majors – and dorm-mates – at Northwestern University. Moran & Scholl went on to produce and direct well-regarded documentaries and have distinguished themselves in teaching careers at Columbia College and at Northeastern Illinois University. Parker moved to Wyoming, where he drove buses, guided whitewater rafting trips, and co-founded the Roadkill On A Stick Frozen Foods Theatre Company with Ed Bachtel. Here’s a view of The Friday Show audience the night that Parker performed with Herby, The Amazing Disappearing Elephant, with the camera operators clearly visible.

Stephan Alexander Parker worked as alight and sound man with many acts over the years, A list of those he remembers are listed below (it was the 80s). More than half of them can be seen and heard in their videos online.

Good Times in the Country: Opryland USA on the Road in Branson, Missouri

Mangy Moose Saloon in Teton Village, Wyoming

The Holmes Brothers
John Hartford
Steve Forbert

Church Street Station in Orlando, Florida

Rosie O’Grady’s Good Times Jazz Band

Roy Orbison
The Diamonds
Tommy Overstreet
Fabian
Del Shannon
Dee Clark
Sons of the Pioneers
Gabriel
Johnny Thunder

Chicago-area music acts

reggae:
Gypsi Fari
New Era

soul/funk/blues:
Lefty Dizz
Eddie Clearwater

jazz/fusion:
Apple Juice
Faith Pillow
David Grisman Quartet
Ashby-Ostermann Alliance

rock/punk/new wave:
The Front Lines
The Paranoids
Void Where Prohibited
Fat Lewy
Peer Group
The Bombastics
Group Gomez
Riffmaster & The Rockme Foundation
Judy and the Punch
Amuzement Park

folk/country:
Art Thieme
Marty Peiffer
Kathy O’Hara & Diana Laffey
Kelly & Rossi
Fred Holstein
Linda Black
Jeff Jones
Jim Post*
Jump ‘N’ the Saddle Band*

comedy:
Eddie Murphy*
(* lighting only)

A view across the audience at The Friday Club in 1980s Evanston, Illinois. You can clearly see one camera operator (a second is behind that one), the floor manager, and the control room for this local sketch comedy/music live broadcast.
A view across the audience at The Friday Club in 1980s Evanston, Illinois. You can clearly see one camera operator (a second is behind that one), the floor manager, and the control room for this live, local sketch comedy/music/variety cable broadcast. Look at the size of that camera!

 

Behind the scenes at the recording sessions for A Roadkill Opera at Blue House Studios; the GRAMMYs; and the ASCAP Musical Theatre Workshop

Photo of Jeffrey Dokken conducts the chamber orchestra while recording engineer Jeff Gruber adjusts microphones.
Maestro Jeffrey Dokken conducts the chamber orchestra while recording engineer Jeff Gruber adjusts microphones. Orchestral tracks for A Roadkill Opera were recorded live and simultaneously for the most part at the first studio session in January 2013. Proofs for the artwork for the cover of the sheet music can be seen at the lower right in this photo.

After the immensely successful proof of concept of A Roadkill Opera as a stand-and-sing concert performance at Artomatic 2012 in Crystal City (Arlington), Virginia, the next step was to record a demo. So said Maestro Jeffrey Dokken. So, on a cold day in January 2013, the entire cast and orchestra for the recording gathered at Blue House Studios in Kensington, Maryland.

We had the studio booked for 4 hours for our 59-minute show. The plan was to run through it a couple of times, and to re-record anything that wasn’t decent enough in the remaining time. That was the plan.

Jeff Gruber, the recording engineer, suggested we lay down the overture first and get a good mix on the sound for the orchestra before adding in the vocalists. He got the orchestra sounding so good, though, that I asked Jeffrey Dokken “Is it me or does that sound good enough to release commercially?” Dokken agreed it was good enough for release. It turns out that Gruber is a classically trained musician in addition to having a very fine ear.

So I asked Gruber “Can we still get the whole thing recorded today?”

Gruber said “No. We can lay down the backing tracks from the orchestra today. Bring the singers into the control room and I’ll record them on a scratch track. We can bring them back later to lay down the vocals on clean backing tracks.”

It took six months.

Photo of singers laying down vocal guide or "scratch" tracks
Vocal guide or “scratch” tracks were laid down simultaneously with the orchestral tracks for A Roadkill Opera at Blue House Studios in January 2013. Laura Wehrmeyer, who sings the role of Holly, is in the foreground. Behind her are Andrew Webster (as Eddie) and (seated) David Timpane (as Stephan).

The singers were all very busy, and we also had to lay in some of the instruments separately; Dokken on timpani, Parker on cymbal, and on hammer and 2×4;  and Natalie Spehar on the killer cello solos. Scheduling available studio time for them with their limited availability, plus mixing sessions, took until late June. We were lucky to make our targeted release date: July 4, 2013, the 25th anniversary of the opening night of Roadkill!!! Live!, the subject of A Roadkill Opera.

Photo of Jeffrey Dokken conducted cello soloist Natalie Spehar in one of the final sessions for A Roadkill Opera
Jeffrey Dokken conducted cello soloist Natalie Spehar in one of the final sessions for A Roadkill Opera at Blue House Studios in the spring of 2013.

Since the goal of the January 2013 demo was to have something that could be pitched to artistic directors, and it wasn’t done and (as of March) it was not certain that it would be completed anytime soon (if at all), I started editing and publishing the sheet music. If the recording was not completed, we could still pitch the show. Whether or not the recording was completed, anyone wanting to mount a show would need the sheet music.

Photo of Jeff Gruber isolated the singers in the mixing booth to cleanly separate the vocals (on a scratch track) from the instruments
Recording engineer Jeff Gruber (with his back to the camera) isolated the singers in the mixing booth to cleanly separate the vocals (on a scratch track) from the instruments at the January 2013 recording session for A Roadkill Opera at Blue House Studios in Kensington, Maryland.

As an old Chicago punk-rock light and sound man, the ethos of DIY (do it yourself) was strong; publishing the sheet music for A Roadkill Opera allowed others to do it themselves. Having the backing tracks cleanly separated from the vocal tracks allowed for both the separate release of a CD with the backing tracks and for the release of karaoke videos for A Roadkill Opera.

Photo of The producers of the studio recording of A Roadkill Opera (left to right) are Stephan Alexander Parker, Jeff Gruber, and Jeffrey Dokken
The producers of the studio recording of A Roadkill Opera (left to right) are Stephan Alexander Parker, Jeff Gruber, and Jeffrey Dokken. Gruber and Dokken provided detailed coaching to the vocalists in their individual sessions to lay the vocal tracks atop the orchestral tracks, including tips on phrasing and breathing.

The studio work of Dokken and Gruber so elevated the recording that they were given producer credits along with Parker. Dokken later joined Parker when, though not nominated or performing at the show, A Roadkill Opera was invited to the GRAMMYs in February 2018.

Photo of Stephan Alexander Parker and Jeffrey Dokken showing their Grammy tickets
A Roadkill Opera‘s librettist Stephan Alexander Parker and music director/conductor Jeffrey Dokken show their Grammy tickets before the Premiere in February 2015. The Roadkill entourage also included video director Ben Ganz and merchandizing director DJ Choupin. Composer Ferdinando Paer was not available to attend, as he passed away in 1839.
Photo of Stephan Alexander Parker and Jeffrey Dokken with Weird Al Yankovich and his wife in the background
Just inside the door of the GRAMMYs Premiere at the Nokia Theatre in January 2015, A Roadkill Opera‘s Stephan Alexander Parker and Jeffrey Dokken were excited to see Weird Al Yankovic and his wife enter behind them (background, right on top of and to the right of Jeff’s head). We thought that was as close as we would get to our musical comedy hero.
Photo of Jeffrey Dokken with Weird Al Yankovitch across the aisle
Weird Al Yankovic sat just across the aisle from the Roadkill Opera entourage at the Grammy Premiere in February 2015–he was nominated for Best Comedy Album.
Photo of Weird Al Yankovitch as as Jeffrey Dokken of A Roadkill Opera applauds
Yes! In February 2015, Weird Al Yankovic wins the Grammy for Best Comedy Album for Mandatory Fun as Jeffrey Dokken of A Roadkill Opera applauds. Weird Al’s wife has a lovely smile.
Photo of Jane Seymour in foreground as Weird Al Yankovich runs down the aisle to the stage in the background
In February 2015, Weird Al Yankovic races up the aisle to collect his Grammy for Best Comedy Album as Jane Seymour gets up (she was sitting in front of us). The GRAMMYs Premiere ceremony was running long–like the Roadkill Opera entourage, Jane Seymour was waiting to see Al win before going to the televised GRAMMY Awards Show.
Photo of Stephan Alexander Parker and Jeffrey Dokken with photographer/merchandising director DJ Choupin
A Roadkill Opera‘s Stephan Alexander Parker and Jeffrey Dokken with photographer/merchandising director DJ Choupin at the 57th Annual Grammy Awards in February 2018. Our seats for the televised portion of the show were not quite as good as our seats for the Premiere, but we had a great time.
Photo of Ben Ganz and Stephan Alexander Parker on the escalator
A Roadkill Opera‘s video director Ben Ganz (founder of Vego Pictures) checks on the after-party for the 57th Annual Grammy Awards while librettist Stephan Alexander Parker is pleased he remembers where he parked the car.

Looking for further creative re-use of the songs from A Roadkill Opera, and recalling how Irving Berlin recycled the songs from the black-and-white film Holiday Inn in the color film White Christmas, I took up the invitation to participate in the ASCAP Musical Theatre Workshop 2018 in Los Angeles. Stephen Schwartz’s invaluable advice was to look at the structure of the play to get the main character on stage with and “I want” song early, and to look as well at giving the main character an “I have a problem” song.

Thus the book for the musical theatre version of A Roadkill Opera has been re-shaped and the order in which the musical numbers are performed has been revised. The new musical is called Hungry Men Don’t Swerve. More to come as it gets further along.

Photo of A Roadkill Opera's librettist Stephan Alexander Parker and Broadway composer/lyricist Stephen Schwartz (Wicked, Godspell, Pippin, The Magic Show, Schikaneder) at the ASCAP Musical Theatre Workshop LA 2018 at the Wallis Theatre.
A Roadkill Opera‘s librettist Stephan Alexander Parker and Broadway composer/lyricist Stephen Schwartz (Wicked, Godspell, Pippin, The Magic Show, Schikaneder) at the ASCAP Musical Theatre Workshop in Los Angeles in February 2018 at the Wallis Theatre. Schwartz directs and hosts two workshops annually, one in Los Angeles and one in New York. Schwartz’s advice on getting the main character on stage early with an”I want” song and to look art giving the main character an “I’ve got a problem” song was invaluable in reshaping A Roadkill Opera from a 59-minute opera into a 90-minute-ish musical comedy as Hungry Men Don’t Swerve.
Photo of A Roadkill Opera's librettist Stephan Alexander Parker and Broadway star Megan Hilty
Megan Hilty is most recognized for her portrayal of seasoned triple-threat Ivy Lynn in NBC’s musical drama “Smash.” In the spring of 2017, Hilty received critical acclaim for her portrayal of Brooke Ashton in the Roundabout Theatre Company’s revival of Noises Off. She earned nominations for a Tony Award, Drama Desk Award, and Drama League Award and won a Broadway.com Audience Award for Favorite Featured Actress in a Play. All of which makes Stephan Alexander Parker thrilled that Ms. Hilty is holding a piano/vocal score of his show A Roadkill Opera, which, like Noises Off and Smash, is largely set backstage. In re-working the songs from A Roadkill Opera into the upcoming musical comedy Hungry Men Don’t Swerve, “Impress Them” becomes the opening number as an “I want” song and “Butterflies” comes later as an “I have a problem” song, in Stephen Schwartz’s terms. Hilty and Parker are seen here at the Wallis Theatre in February 2018 where Hilty performed as a special guest for An Evening with Stephen Schwartz: A Writers Circle.

A Roadkill Opera and DJ Choupin at SONOVA Gala 2018 Tonight

Photo of DJ Chouin's donated photos
DJ Choupin donated her photos “Soldier” and “Angel” (as seen at Artomatic) to the Symphony Orchestra of Northern Virginia (SONOVA) Gala 2018 at the George Washington Memorial Masonic Temple in Alexandria, Virginia
Photo listing the items in the gift basket donated by Roadkill On A Stick Frozen Foods Publishing to the Symphony Orchestra of Northern Virginia (SONOVA) Gala 2018 at the George Washington Memorial Masonic Temple in Alexandria, Virginia
A Roadkill Opera‘s Stephan Alexander Parker and DJ Choupin donated a gift basket with a conductor’s score of the overture, a piano/vocal score, CDs, and other swag to the Symphony Orchestra of Northern Virginia (SONOVA) Gala 2018 at the George Washington Memorial Masonic Temple in Alexandria, Virginia

Shameless Plug: A Roadkill Opera at Lionsgate Studios and the ASCAP Musical Theatre Workshop LA 2018

Photo of A Roadkill Opera's librettist Stephan Alexander Parker and Broadway star Megan Hilty
Megan Hilty is most recognized for her portrayal of seasoned Broadway triple-threat Ivy Lynn in NBC’s musical drama “Smash.” Last spring, Hilty received critical acclaim for her portrayal of Brooke Ashton in the Roundabout Theatre Company’s revival of Noises Off. She earned nominations for a Tony Award, Drama Desk Award, and Drama League Award and won a Broadway.com Audience Award for Favorite Featured Actress in a Play. All of which makes Stephan Alexander Parker thrilled that Ms. Hilty is holding a piano/vocal score of his show A Roadkill Opera, which, like Noises Off and “Smash”, is largely set backstage. Hilly and Parker are at the Wallis Theatre where Hilty performed as a special guest for An Evening with Stephen Schwartz: A Writers Circle on the final night of the ASCAP Musical Theatre Workshop LA 2018.

During the evening, Megan Hilty sang a hilarious new number by Zina Goldrich & Marcy Heisler about a singer in the chorus yearning to sing a melody rather than harmonies. The frustration and yearning with the musical jokes all worked beautifully. And, there is a parallel (of course there is) to  A Roadkill Opera. The sheet music contains a table letting every player know what other instruments are in each musical number, and the sheet music is sold in books, so any string player can enjoy playing any other string’s lines (outside the official rehearsals and shows, of course). The reason? Parker was a terrible musician (3rd clarinet) in high school, and yearned to play melodies he heard others play. Problem was, he couldn’t tell which part had the melody and the sheet music was not available to individuals. An old Chicago punk, when he had the chance to publish the parts and score for A Roadkill Opera, he made sure that they would be available to all players.

Photo of an excited redheaded 6 year old girl and her proud father, viewing the stage from the balcony, at An Evening With Stephen Schwartz: A Writer's Circle at the Wallis Theatre
Perhaps indicative of the first evening of the ASCAP Musical Theatre Workshop LA 2018, which featured The Bully Problem, a kids musical with book, music, and lyrics by Michael Gordon Shapiro, the third and final night was open to the public and had lots of kid-friendly songs by Cinco Paul and the duo Zina Goldrich & Marcy Heisler: An Evening With Stephen Schwartz: A Writer’s Circle. Here a young theatre kid and her proud dad, anticipating a highly entertaining evening.
Photo of A Roadkill Opera's librettist Stephan Alexander Parker and Broadway composer/lyricist Stephen Schwartz (Wicked, Godspell, Pippin, The Magic Show, Schikaneder) at the ASCAP Musical Theatre Workshop LA 2018 at the Wallis Theatre.
A Roadkill Opera‘s librettist Stephan Alexander Parker and Broadway composer/lyricist Stephen Schwartz (Wicked, Godspell, Pippin, The Magic Show, Schikaneder) at the ASCAP Musical Theatre Workshop LA 2018 at the Wallis Theatre. Schwartz directs and hosts two workshops annually, one in Los Angeles and one in New York. This is Parker’s first time attending.
Photo of A Roadkill Opera's librettist Stephan Alexander Parker met The Phantom of the Paradise's Paul Williams and his lovely wife Mariana Williams at the ASCAP Musical Theatre Workshop LA 2018 at the W
A Roadkill Opera‘s librettist Stephan Alexander Parker met The Phantom of the Paradise‘s Paul Williams and his lovely wife Mariana Williams at the ASCAP Musical Theatre Workshop LA 2018 at the Wallis Theatre in Los Angeles. Williams’s popular music is the soundtrack for a generation, including such songs as “We’ve Only Just Begun”, “Rainy Days and Mondays”, “I Won’t Last a Day Without You”, “Evergreen”, “Just An Old Fashioned Love Song”, “Out in the Country”, “Family of Man”, and “Rainbow Connection.”
A Roadkill Opera‘s librettist Stephan Alexander Parker (center) with director/choreographer/playwright/songwriter Jenita Nakamura (left) and her song producer/studio orchestrator Kyle Donald (right) at the ASCAP Musical Theatre Workshop LA 2018. We had dinner together before the second session, only to find we were sitting in adjacent rows–the front two rows! This evening, the workshopped show was Tenn, book.music, and lyrics by Julian Hornik.

At the first session, Parker was randomly seated next to songwriter/composer Danny Maseng (Let There Be Light, Beyond the Gates) and his wife. And, serendipitously, they were seated next to each other down in the first row for the second session. This allowed them to swap CDs and sheet music.

Photo of coffee table with script and libretto of A Roadkill Opera, a cup of coffee, and a glass of iced coffee
Between sessions of the ASCAP Musical Theatre Workshop LA 2018, A Roadkill Opera’s librettist Stephan Alexander Parker worked on the script adaptation of his 59-minute opera to a 90-or-so-minute musical, poolside at the Mosaic Hotel. Suggestions from the workshop are enormously helpful in checking the show’s structure: characters “I want” and “I have a problem” songs; the levels of centrality of various characters; and the notion that the purpose of each scene is to propel you to the next scene, and the purpose of each song is to give you a reason to listen to the next one. Perhaps the most important connection made at the workshop was with producer Michael A. Kerker of the ASCAP Foundation. In addition to producing the workshops, Kerker was unfailingly kind and attentive to the workshop participants and performers.
Photo of front desk with greeters at Lionsgate studio
While in Hollywood for the ASCAP Musical Theatre Workshop LA 2018, A Roadkill Opera‘s librettist Stephan Alexander Parker dropped by the Lionsgate Studio to meet with A Roadkill Opera‘s 2012 workshop concert video director Ben Ganz. The experience Ganz brought as the youngest field producer in “American Idol” history came in handy, as Ganz shot the stand-and-sing workshop at Artomatic 2012 in one continuous take, live, with one camera.
Photo of Ben Ganz (partially) reflected in the N of LIONSGATE in the background of this glamour shot of A Roadkill Opera's librettist Stephan Alexander Parker,
The brilliant Ben Ganz is the brains behind Vego Pictures, currently set up at Lionsgate Studios. When he isn’t shooting verite video for A Roadkill Opera, that is. You can see Ben (partially) reflected in the N of LIONSGATE in the background of this glamour shot of A Roadkill Opera‘s librettist Stephan Alexander Parker, skating during the day until the ASCAP Musical Theatre Workshop LA 2018 resumes in the evening. Ganz used his iPhone to shoot a promo for the studio recording of A Roadkill Opera at the GRAMMYs in February 2015 (see below). While they were walking back to Lionsgate Studios from lunch this week, Ganz caught Parker in the act of promotion to some people on the street–an opera singer’s boyfriend received a piano/vocal score and the others got bumper stickers that read “If you see roadkill, think opera.”


So here’s the thing: during this video shot at the GRAMMYs in February 2015, A Roadkill Opera‘s librettist (and, for the recording, one of the producers) Stephan Alexander Parker brandishes a pair of chopsticks imprinted in gold with the ideogram for “harmony” and lettering for A Roadkill Opera. The chopsticks were partly inspired by the knowledge that ASCAP’s President and Chairman Paul Williams likes squid. With the thousands and thousand of people at the event, Parker and A Roadkill Opera‘s conductor and music conductor (and co-producer for the recording) Jeffrey Dokken were shocked and pleased to bump into Williams on the sidewalk after the show. Parker pulled out a CD to hand to Williams, totally forgetting the chopsticks.

Well, at the ASCAP Musical Theatre Workshop LA 2018, Parker finished a delivery three years in the making.

Parker: I hear you like squid.

Williams: I love squid!

Parker: Please accept these chopsticks.

Williams: Thank you. What is A Roadkill Opera?

You can’t make this stuff up.

A Roadkill Opera: From the GRAMMYs in 2015 to the ASCAP Foundation Musical Theatre Workshop 2018

Oh my.

A Roadkill Opera has been invited to audit the February 2018 ASCAP Foundation Musical Theatre Workshop in Los Angeles, presented in conjunction with Universal Theatrical Group. The acclaimed annual Workshops (there will be a spring edition in New York) are led by Artistic Director Stephen Schwartz — the Tony, Oscar and Grammy Award-winning composer/lyricist whose numerous credits include the Broadway musicals Wicked, Godspell, and Pippin, as well as the DreamWorks’ film The Prince of Egypt, and Walt Disney films Enchanted, Pocahontasand The Hunchback of Notre Dame. The program is composed of various workshop sessions featuring prominent guests from all aspects of musical theater including producers, directors, critics, performers, and composers. Workshop alumni include Steven Lutvak (Tony award-winning A Gentleman’s Guide to Love and Murder), Glenn Slater (Tony-nominated School of Rock), Matthew Sklar and Chad Beguelin (Elf).

Among the songwriters who have participated in the workshops over the years are: Jonathan Larson (Rent), Lynn Ahrens and Stephen Flaherty (Ragtime), Steven Lutvak (A Gentleman’s Guide to Love and Murder), Andrew Lippa (The Addams Family) and Glenn Slater (Sister Act).

Photo of Jeffrey Dokken conducts the chamber orchestra while recording engineer Jeff Gruber adjusts microphones.
Jeffrey Dokken conducts the chamber orchestra for A Roadkill Opera while recording engineer Jeff Gruber adjusts microphones. Orchestral tracks were recorded live and simultaneously (for the most part) in January 2013 at Blue House Studios in Kensington, Maryland.

This is inspiring. When the 2013 studio recording of A Roadkill Opera led to an invitation to attend the GRAMMYs in February 2015, there had only been a single public workshop concert performance. In 2016 there were six fully-staged performances; four at the Mead Theatre Lab at Flashpoint in Washington, DC, and two by the Symphony Orchestra of Northern Virginia (SONOVA) at the James Lee Community Theater in Falls Church, Virginia.

Photo of Stephan Alexander Parker and Jeffrey Dokken showing their Grammy tickets
A Roadkill Opera‘s librettist Stephan Alexander Parker and music director/conductor Jeffrey Dokken show their Grammy tickets before the Premiere in February 2015. The Roadkill entourage also included video director Ben Ganz and merchandizing director DJ Choupin. Composer Ferdinando Paer was not available to attend, as he passed away in 1839.
Photo of Stephan Alexander Parker and Jeffrey Dokken with photographer/merchandising director DJ Choupin
A Roadkill Opera‘s Stephan Alexander Parker and Jeffrey Dokken with photographer/merchandising director DJ Choupin at the 57th Annual Grammy Awards in February 2015.
Photo of Ben Ganz and Stephan Alexander Parker on the escalator
A Roadkill Opera‘s video director Ben Ganz (founder of Vego Pictures) checks on the after-party for the 57th Annual Grammy Awards while librettist Stephan Alexander Parker is pleased he remembers where he parked the car…

In preparation for the  ASCAP Foundation Musical Theatre Workshop, librettist Stephan Alexander Parker has been meeting with director and music director Jeffrey Dokken to discuss song placement, story restructuring ideas, and dialogue strategies. Maestro Jeffrey Dokken has led every performance of A Roadkill Opera to date. You can catch him in 2018 conducting at the Rome Symphony Orchestra, the oldest orchestra in the south, as well as at the Symphony Orchestra of Northern Virginia and a slew of international engagements.

Photo of Holly, Eddie, llama, and Marvin on the set of A Roadkill Opera
Holly (Laura Wehrmeyer) and Eddie (Alan Naylor) debate ways and whether it is necessary to punch up the humor of In A Clearing while Marvin (Christopher Dews) tends to the llama in A Roadkill Opera in its world premiere performances in January 2016 at the Mead Theatre lab at Flashpoint in Washington DC.

Applicants to the  ASCAP Foundation Musical Theatre Workshop must be prepared, if selected, to present 50 consecutive minutes from the musical at the workshop. The 50-minute selection must include book and songs. To meet the workshop book requirement, librettist Stephan Alexander Parker has reunited with Ed Bachtel, the comedic wonder behind the most memorable sketches from the heyday of the Roadkill On A Stick Frozen Foods Theatre Company.

Photo of Cod Piece Dining Room comedy sketch, 1988, with Holly Danner and Ed Bachtel on a singles cruise
Cod Piece Dining Room comedy sketch, 1988, with Holly Danner and Ed Bachtel on a singles cruise.
Photo of DJ Choupin standing under the marquee for the Wort Hotel advertising Roadkill Live Comedy 8 pm
DJ Choupin, our box office manager for the 1988 Roadkill Live!!! Comedy Review, cheered us on our opening night in July 1988

Parker and Bachtel anticipate folding in classic sketches as well as crafting new dialogue for the musical version of A Roadkill Opera. Several of the sketches are referenced in the current version’s songs, which are anticipated to be retained.

Photo of Marvin handing a roadkill on a stick to Stephan as Dave looks on
Stage manager Marvin (Christopher Dews) presents a frozen roadkill on a stick to Stephan (David Timpane) while Dave (Alex Miletich IV) looks on with amusement in A Roadkill Opera at the Mead Theatre Lab at Flashpoint in Washington DC in January 2016.
Photo of Ed Bachtel selling roadkill to Holly Danner in the classic sketch Frozen Roadkill On A Stick during the 1988 run of Roadkill!!! in the Greenback Lounge at the Wort Hotel (enter through the Silver Dollar Bar).
Ed Bachtel sells roadkill to Holly Danner in the classic sketch Frozen Roadkill On A Stick during the 1988 run of Roadkill!!! in the Greenback Lounge at the Wort Hotel (enter through the Silver Dollar Bar).

Parker and Bachtel had a legal partnership when their productions ran in Jackson Hole at the Wort Hotel’s Greenback Lounge (enter through the Silver Dollar Bar) and the Pink Garter Theatre. They also started the Open Mic Night at Spirits of the West Saloon, which was the longest-running open mic in the valley prior to Dornan’s Hootenanny. Parker is a frequent visitor to the Silver Dollar Bar, particularly since the restoration of the old Greenback Lounge space into the Silver Dollar Showroom. Honestly, locals always referred to the space as the Showroom, but that’s a different story…

Photo of of the Roadkill On A Stick Frozen Foods Theatre Company ended with a standing ovation, as every show ended with Ed Bachtel playing the national anthem--by harmonica, through his nose
Every show in the history of the Roadkill On A Stick Frozen Foods Theatre Company ended with a standing ovation, as every show ended with Ed Bachtel playing the national anthem–by harmonica, through his nose, as seen here in a 1988 show at the Silver Dollar Showroom aka the Wort Hotel’s Greenback Lounge (enter through the Silver Dollar Bar).
Photo of Sidle, Cooke, and Parker
Local music legends John Sidle and John Byrne Cooke at the Silver Dollar Bar in Jackson, Wyoming, with A Roadkill Opera‘s librettist Stephan Alexander Parker. The three were enjoying the Wort’s Longmire party after the Hootenanny in July 2015.
Photo of Choupin and Thompson
DJ Choupin with Longmire star Robert Thompson at the Silver Dollar Bar in Jackson, Wyoming, in July 2015. Longmire author Craig Johnson can be seen behind them, wearing a white cowboy hat, naturally.

 

A Roadkill Opera Releases Karaoke Videos

There were a few lyrics that changed between the Artomatic 2012 workshop and the 2013 studio recording of A Roadkill Opera; and there were a few more that came with the January 2016 world premiere performances at the Mead Theatre Lab at Flashpoint.

On Cyber Monday, A Roadkill Opera released a free gift for its fans: the full studio album as a set of linked lyric videos. T

Now, a year-end gift for the hundreds of fans who saw the live shows; the thousands with CDs, sheet music, or librettos; and anyone looking to have some fun: karaoke videos, so you can perform A Roadkill Opera in your living room, bar, bedroom, or chambers.

The Overture features black and white photos of Wyoming, 1948, courtesy of Frank Parker and color photos by DJ Choupin djchoupin.com. Sing along to the lyrics in the karaoke videos for the remaining 12 musical numbers in A Roadkill Opera.

Cheers! Enjoy! Make show!

A Roadkill Opera
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
“the underground opera sensation”

STEPHAN ALEXANDER PARKER
Music from 1804 by Ferdinando Paer

Original Workshop Cast Recording
released July 4, 2013

Photos from Mead Theatre Lab at Flashpoint Performances
January 2016

Jeffrey Dokken, Director, Music Director & Conductor

1. Overture … Orchestra
2. Impress Them … Holly
3. In A Clearing … Eddie & Holly
4. Cod Piece Dining … Stephan, Holly, Eddie
5. Jello … Holly, Stephan & Eddie
6. Different Things … Debby
7. Geo … Dave, Debby & Stephan
8. Suppose … Debby
9. Butterflies … Holly
10. Torn Down … Stephan & Debby
11. Opening Night … Stephan, Dave & Debby
12. Finished … Holly, Dave, Stephan, Debby & Eddie
13. Glory … Dave, Eddie, Holly, Debby & Stephan

59 minutes (in English).

Original Workshop Cast Recording

HOLLY, Soprano ………………….. Laura Wehrmeyer
EDDIE, Baritone ………………….. Andrew Webster
MARVIN, Banging Nails ……..…… Stephan Alexander Parker
STEPHAN, Baritone ……………… David Timpane
DEBBY, Soprano ……………………Krista Monique McClellan
DAVE, Tenor …………………….… Jeffrey Dokken

Orchestra

Flute .….…………………………… Martine Micozzi
Clarinet …………………………….Jeannine Altavilla
Bassoon ……………………………Sarah Robinson
Trumpet & Flugelhorn …..……….. Michael Thompson
Timpani …………………………… Jeffrey Dokken
Violin I ……………………..………. Frank Peracchia
Violin II …………………………….. Ian Ross
Viola …………………………………Val Rauch
Cello …….……………….……..… Kathy Augustine, Natalie Spehar
Hammer, 2×4, cymbal …………….Stephan Alexander Parker

Produced by
Stephan Alexander Parker,
Jeffrey Dokken, and Jeff Gruber

Recorded, mixed, and mastered at
Blue House Productions by
Audio Engineer Jeff Gruber

Available through the usual online sources; if the spirit moves you, you can purchase the tracks or the album through CD BabyAmazonMP3, and iTunes. It is now available worldwide on nearly all platforms.

If karaoke is your thing, the backing tracks (without vocals) have been released on CD Baby, Amazon, and iTunes as A Roadkill Opera, Wanted: Vocals. 

World Premiere Performances
January 2016
Mead Theatre Lab at Flashpoint
916 G Street, NW Washington, DC 20001

Cast

HOLLY, Soprano … Laura Wehrmeyer
EDDIE, Baritone … Alan Naylor
MARVIN, Banging Nails … Christopher Dews
STEPHAN, Baritone … David Timpane
DEBBY, Soprano … Shaina Martinez
DAVE, Tenor … Alex Miletich IV

Orchestra

Flute … Martine Micozzi
Clarinet … Deborah Albert
Bassoon … Whitney Miller
Trumpet & Flugelhorn … Michael Thompson
Violin I … Tanya Whisnant
Violin II … Jeanne Trahan Faubell
Viola … Val Rauch
Cello … Jorge Alvarez
Timpani … Dr. David W. Constantine

Administrative & Production Staff

Producer … Stephan Alexander Parker
Director & Conductor … Jeffrey Dokken
Lighting Designer & Technical Director … Christina Giles
Production & Stage Manager … Michal Kaufer
Box Office Manager & Merchandising Director … DJ Choupin
House Manager … Brooke Coleman
Ushers … Jason Ganz & Nina Parker Ganz
Strike Team … RJ Gaudiosi & Rich Gaudiosi

Vintage publicity materials from Loose Ties etc. … Phil Round
Roadkill-on-a-Stick Frozen Foods Theatre Co. logo … Eric Scholl
“In A Clearing” hats … Sue Kirby
“Beaverzilla” jaws … Ed Bachtel
Roadkills … Lisa Sprague & Roger Henderson

Live Video Recording Credits

A Roadkill Opera at the 57th Annual Grammy Awards
Staples Center, Los Angeles, California
February 8, 2015
Video shot and edited by Ben Ganz

Mead Theatre Lab at Flashpoint
Fully staged world premiere performances
Washington, DC
January 8-9, 2016
Video shot and edited by RJ Gaudiosi

James Lee Community Theater
Symphony Orchestra of Northern Virginia (SONOVA)
Fully staged performances (highlights)
Falls Church, Virginia
October 21, 2016
Recorded live on site: mixed and mastered at
Blue House Productions by
Audio Engineer Jeff Gruber

Cast

HOLLY, Soprano … Laura Wehrmeyer
EDDIE, Baritone … Larry Boggs
MARVIN, Banging Nails … Christopher Dews
STEPHAN, Baritone … David Timpane*
DEBBY, Soprano … Kelly Curtin
DAVE, Tenor … Jeffrey Dokken*

*rehearsal only

Artomatic 2012
Original Workshop Concert
Crystal City, Virginia
June 9, 2012
Camera …………………………………………. Ben Ganz
Production assistants … Jason Ganz, Nina Parker Ganz
Audio …………………………………………… Angelo Avellana
Audio Supervisor …………………………….. Mary Diaz
Lighting ………………………………….……. George Spelvin
Scrim Crew ..… Cyndi Moran, Eric Scholl, Nathaniel Scholl, Rosalyn Scholl
Retail Merchandising …………..…………..… DJ Choupin

Cast

HOLLY, Soprano … Laura Wehrmeyer
EDDIE, Baritone … Andrew Webster
MARVIN, Banging Nails … George Spelvin
STEPHAN, Baritone … David Timpane
DEBBY, Soprano … Krista Monique McClellan
DAVE, Tenor … John Dellaporta

Orchestra

Flute … Martine Micozzi
Clarinet … Jeannine Altavilla
Bassoon … Sarah Robinson
Trumpet & Flugelhorn … Michael Thompson
Violin I … Frank Peracchia
Violin II … Holly Petty
Violin III … Kendall Isadore
Cello … Kathy Augustine

A Roadkill Opera Releases Full Studio Recording Videos with Sing-Along Lyrics

Just released! The full studio recording of A Roadkill Opera with sing-along lyrics.

On Cyber Monday, A Roadkill Opera released a free gift for its fans: the full studio album as a set of linked lyric videos. The Overture features black and white photos of Wyoming, 1948, courtesy of Frank Parker and color photos by DJ Choupin djchoupin.com. Sing along to the lyric videos for the remaining 12 musical numbers in A Roadkill Opera. Once you’ve got them down, try the 12 karaoke videos!

A Roadkill Opera
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
“the underground opera sensation”

STEPHAN ALEXANDER PARKER
Music from 1804 by Ferdinando Paer

Original Workshop Cast Recording
released July 4, 2013

Photos from Mead Theatre Lab at Flashpoint Performances
January 2016

Jeffrey Dokken, Director, Music Director & Conductor

1. Overture … Orchestra
2. Impress Them … Holly
3. In A Clearing … Eddie & Holly
4. Cod Piece Dining … Stephan, Holly, Eddie
5. Jello … Holly, Stephan & Eddie
6. Different Things … Debby
7. Geo … Dave, Debby & Stephan
8. Suppose … Debby
9. Butterflies … Holly
10. Torn Down … Stephan & Debby
11. Opening Night … Stephan, Dave & Debby
12. Finished … Holly, Dave, Stephan, Debby & Eddie
13. Glory … Dave, Eddie, Holly, Debby & Stephan

59 minutes (in English).

Original Workshop Cast Recording

HOLLY, Soprano ………………….. Laura Wehrmeyer
EDDIE, Baritone ………………….. Andrew Webster
MARVIN, Banging Nails ……..…… Stephan Alexander Parker
STEPHAN, Baritone ……………… David Timpane
DEBBY, Soprano ……………………Krista Monique McClellan
DAVE, Tenor …………………….… Jeffrey Dokken

Orchestra

Flute .….…………………………… Martine Micozzi
Clarinet …………………………….Jeannine Altavilla
Bassoon ……………………………Sarah Robinson
Trumpet & Flugelhorn …..……….. Michael Thompson
Timpani …………………………… Jeffrey Dokken
Violin I ……………………..………. Frank Peracchia
Violin II …………………………….. Ian Ross
Viola …………………………………Val Rauch
Cello …….……………….……..… Kathy Augustine, Natalie Spehar
Hammer, 2×4, cymbal …………….Stephan Alexander Parker

Produced by
Stephan Alexander Parker,
Jeffrey Dokken, and Jeff Gruber

Recorded, mixed, and mastered at
Blue House Productions by
Audio Engineer Jeff Gruber

Available through the usual online sources; if the spirit moves you, you can purchase the tracks or the album through CD BabyAmazonMP3, and iTunes. It is now available worldwide on nearly all platforms.

If karaoke is your thing, the backing tracks (without vocals) have been released on CD Baby, Amazon, and iTunes as A Roadkill Opera, Wanted: Vocals. 

World Premiere Performances
January 2016
Mead Theatre Lab at Flashpoint
916 G Street, NW Washington, DC 20001

Cast

HOLLY, Soprano … Laura Wehrmeyer
EDDIE, Baritone … Alan Naylor
MARVIN, Banging Nails … Christopher Dews
STEPHAN, Baritone … David Timpane
DEBBY, Soprano … Shaina Martinez
DAVE, Tenor … Alex Miletich IV

Orchestra

Flute … Martine Micozzi
Clarinet … Deborah Albert
Bassoon … Whitney Miller
Trumpet & Flugelhorn … Michael Thompson
Violin I … Tanya Whisnant
Violin II … Jeanne Trahan Faubell
Viola … Val Rauch
Cello … Jorge Alvarez
Timpani … Dr. David W. Constantine

Administrative & Production Staff

Producer … Stephan Alexander Parker
Director & Conductor … Jeffrey Dokken
Lighting Designer & Technical Director … Christina Giles
Production & Stage Manager … Michal Kaufer
Box Office Manager & Merchandising Director … DJ Choupin
House Manager … Brooke Coleman
Ushers … Jason Ganz & Nina Parker Ganz
Strike Team … RJ Gaudiosi & Rich Gaudiosi

Vintage publicity materials from Loose Ties etc. … Phil Round
Roadkill-on-a-Stick Frozen Foods Theatre Co. logo … Eric Scholl
“In A Clearing” hats … Sue Kirby
“Beaverzilla” jaws … Ed Bachtel
Roadkills … Lisa Sprague & Roger Henderson

Live Video Recording Credits

A Roadkill Opera at the 57th Annual Grammy Awards
Staples Center, Los Angeles, California
February 8, 2015
Video shot and edited by Ben Ganz

Mead Theatre Lab at Flashpoint
Fully staged world premiere performances
Washington, DC
January 8-9, 2016
Video shot and edited by RJ Gaudiosi

James Lee Community Theater
Symphony Orchestra of Northern Virginia (SONOVA)
Fully staged performances (highlights)
Falls Church, Virginia
October 21, 2016
Recorded live on site: mixed and mastered at
Blue House Productions by
Audio Engineer Jeff Gruber

Cast

HOLLY, Soprano … Laura Wehrmeyer
EDDIE, Baritone … Larry Boggs
MARVIN, Banging Nails … Christopher Dews
STEPHAN, Baritone … David Timpane*
DEBBY, Soprano … Kelly Curtin
DAVE, Tenor … Jeffrey Dokken*

*rehearsal only

Artomatic 2012
Original Workshop Concert
Crystal City, Virginia
June 9, 2012
Camera …………………………………………. Ben Ganz
Production assistants … Jason Ganz, Nina Parker Ganz
Audio …………………………………………… Angelo Avellana
Audio Supervisor …………………………….. Mary Diaz
Lighting ………………………………….……. George Spelvin
Scrim Crew ..… Cyndi Moran, Eric Scholl, Nathaniel Scholl, Rosalyn Scholl
Retail Merchandising …………..…………..… DJ Choupin

Cast

HOLLY, Soprano … Laura Wehrmeyer
EDDIE, Baritone … Andrew Webster
MARVIN, Banging Nails … George Spelvin
STEPHAN, Baritone … David Timpane
DEBBY, Soprano … Krista Monique McClellan
DAVE, Tenor … John Dellaporta

Orchestra

Flute … Martine Micozzi
Clarinet … Jeannine Altavilla
Bassoon … Sarah Robinson
Trumpet & Flugelhorn … Michael Thompson
Violin I … Frank Peracchia
Violin II … Holly Petty
Violin III … Kendall Isadore
Cello … Kathy Augustine

A Roadkill Opera Releases Lyrics to “Opening Night”

Opening Night

Stephan
Now it’s time,
rev up the crowd.

We count on you to get them loud.

Op’ning Night— our time has come, now.
Op’ning Night— our time has come and
we are counting on you,
know that we are counting on you, trouper.

You trouper!
You trouper!

If you only will permit me,
I would like to say that we could not do this show
without your assistance,
without all your music.

Now it’s time, rev up the crowd.
We count on you to get this crew loud,
really loud!

Op’ning Night— our time has come,
and we know our lives will never be quite the same.
Yes, we know our lives will never be the same.

Dave
Do you really think I have such talent?

Stephan
There can be no doubt about it,
there can be no doubt about it.

Dave
You show taste,
impressive as discerning.

Stephan
There can be no doubt about it.
There can be no doubt about it.

Dave
I must say, you are impressive
when it comes to your taste
about musicians.

Stephan
Yes, I pride myself on my immaculate taste,
I do, I do.
Check it out, man,
the chicks dig you.

Dave
You’re so screwy

Stephan
Eh? It is so obvious.
Take it for granted if you wish to.
If you think that you are, you’re that kind of guy.
You think that you’re that kind of guy,
then you’re that kind of guy.

Debby
I’ve come to show my support
as you go on for the first time.

I’m sure you’ll knock ‘em
all dead in the aisles
and your reputations will be
cemented by the morning.

I hope you all have a great time.
I really hope that you all have a great time,
that you will look back in the morning
and be happy.

Stephan
What about it, my friend?

Dave
My sentiments, my sentiments.
My sentiments, my sentiments.

(to Debby)
Am I ready to go on yet?

Debby
I’ve no doubt this is your moment.

Dave
What is your most fervent desire?

Debby
Play with genius.
Try to make it so I feel it when you spit-take.

Play with passion!
Make me feel it!
Earn the admiration of your audience.

Dave
I want to hear your opinion.
Please stick around past the show.
Stephan
She is so cute! What a woman!
Got to get to know her now.

Debby
Well, I’ve got to run now, I’m due out front
to collect the tickets.
Really, I must be going.
Dave
I want to hear your opinion.
Please stick around past the show
so I can get to know you.
Stephan
She is so cute! What a woman!
Got to get to know her now,
to know her now.

Dave
Oh, please stick around, please stick around,
please stick around past the show.
Stephan
Get to know her, get to know her,
got to get to know her now.
Holly
Really, I must be going.

Dave
Come see me at intermission.

Debby
I will see what I can do, then.

Dave
Please don’t cast me as a delinquent,
the very thought makes me shudder.

Debby
Don’t be sure of what I’m thinking,
life is really not that simple.
Please excuse me now, I must be going.

Dave
I don’t know what you see in him.
I am really so much better, I
don’t know what you see in this fellow.

Debby
He does a mean Jello-churner.
He slays me, he slays me—
he slays me with his churning.

Dave
I want to hear your opinion.
Please stick around past the show.
Stephan
She’s so cute! What a woman!
Got to get to know her now.

Debby
Well, I’ve really got to go now.
No, I really must be gone. Now. Now go.
Dave
I want to hear your opinion,
your opinion tell me now.
I want to hear what you think now.
Stephan
She is so cute! What a woman!
Got to get to know her now.
She is so cute!

Dave
I want to hear, I want to hear, I want to hear
what you think now, what you think now.
Stephan
I’ve got to know, I’ve got to know,
I’ve got to get to know her now.
Holly
You see, I really have to go now,
it’s nothing personal.

Dave
Yes, please stick around now.
Please stick around now past the show.
I want to know you, please stick around,
please stick around, please stay.
Stephan
Must get to know her. Must get to know her.
Got to, got to, got to now.
Got to get to know her, got to got to
got to get to know her, know her now.
Debby
I’ve got to go now. Please,
understand it’s nothing personal at all,
no, not personal, not personal at all.

A Roadkill Opera’s Key Takeaways from CD Baby’s DIY Musicians Conference 2017

What a great conference!

Like any first-time attendee, I was a little nervous and a bit intimidated at the prospect, but all that went away as soon as I arrived. CD Baby’s DIY Musicians Conference 2017 registration staff were kind enough to confirm the translations for the ideograms on the promotional chopsticks for A Roadkill Opera DIY as “double happiness” on the red sleeves and “harmony” on the chopsticks proper. I hadn’t even attended my first session, and they already exceeded my expectations!

My first stop after registration was at Hatch Show Print and my last stop was the afterparty; great things happened at every event along the way.

Photo of Kathy standing at service desk in front of the Hatch Show Print workshop full of presses
Hatch Show Print was my first stop after registration at CD Baby’s DIY Musician Conference 2017. Kathy and the rest of the artists there are always ready with friendly advice–and they design custom posters! Including the one for A Roadkill Opera at Artomatic 2012 in Crystal City, Virginia–but that’s another story…
Photo of A Roadkill Opera's Librettist/Executive Producer Stephan Alexander Parker, AVL Digital CEO Tony van Veen, and Bram Bessoff, Founder/President of Indiehitmakers
At the afterparty for CD Baby’s DIY Musicians Conference 2017 at the Tin Roof Nashville, are those thought bubbles over the head of Tony van Veen, CEO of AVL Digital (Dic Makers/CDBaby)? Is he  thinking Indiehitmaker’s Founder/President Bram Bessoff  is “naughty” and  A Roadkill Opera‘s Librettist/Executive Producer Stephan Alexander Parker is “nice”? And who is that photobomber behind Bram?

To a packed house in the session “Making Music Merchandise Work for You,” the Merch Cat team provided spot-on advice on merch, from graphics (keep band logos simple and consistent on t-shirts) to fabrics (better quality t-shirts are worth it–they sell better, they get worn more, and they have higher mark-ups) to leveraging merchandise bundles to boost music sales and charts (if you track them and document them properly).

Photo of Vanessa Ferrer at the podium festooned with posters from a Walking Dead star and A Roadkill Opera. In front of the podium is a row of chairs with t-shirts and table vocoder with alternative swag, such as custom incense packaging from a reggae artist.
Merch Cat’s Vanessa Ferrer discusses the proper range of merchandise at CD Baby’s DIY Musicians Conference 2017. She discussed the importance of standard items such as hats and t-shirts, as well as items like really, really cool posters.
Photo of standing room only crowd for Merch Cat's session at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
There was a standing room only (SRO) crowd for Merch Cat’s first session at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee
Photo of Gas Money Merch Co-owner Karen Corzine and Merch Cat's Vanessa Ferrer at CD Baby's DIY Musicians Conference 2017
Gas Money Merch Co-owner Karen Corzine describes how a proper merchandise mix allows a touring band to afford to get down the road to the next gig. Merch Cat’s Vanessa Ferrer describes how to use software to track your merchandise mix on the road and maximize its performance.

Gas Money Merch Co-owner Karen Corzine described how cost-effective it is to work with companies that have in-house designers. For a small fee, they can transform your idea into a durable image that you can use and reuse on your merchandise.

I can attest to that: the talented staff at Hatch Show Print designed a killer poster for the Artomatic 2012 stand-and-sing concert performance of A Roadkill Opera. When our 2013 studio demo session morphed into a commercial release, we licensed the Hatch design and used it for the published sheet music, CD covers, and t-shirts.

Photo of Michelle Borek and Josh Larkins of Disc Makers (AVL Digital Group) with A Roadkill Opera poster at the CD Baby DIY Musicians Conference 2017
Disc Makers (AVL Digital Group)’s Senior Marketing Manager Michelle Borek and her colleague Josh Larkins admired the Hatch Show Print poster that served as the cover for A Roadkill Opera‘s sheet music and CD at the CD Baby DIY Musicians Conference 2017.
Photo of A Roadkill Opera's merch display in the Merch Cat sessions at CD Baby's DIY Musicians Conference 2017
A Roadkill Opera‘s merch display can be put up or taken down in about 20 minutes. It was invited to set up as a demonstration of good practice as part of the Merch Cat sessions at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee. Bram Bessoff of indiehitmaker likes the Roadkill Opera logo; Gas Money Merch’s Karen Corzine likes the red viola case; Merch Cat’s Vanessa Ferrer likes the large, visible pricing on the pop-up display.

Vanessa Ferrer, Karen Corzine, and Bram Bessoff described how important it is to display merch properly and how to do so economically. They also provided feedback to the audience on their merch and merch display ideas. “Fan designed shirts are the best sellers,” said Gas Money Merch’s Karen Corzine, adding “Lyric shirts are popular.”

Photo of David Paige and Merch Cat's Vanessa Ferrer at CD Baby's DIY Musicians Conference 2017
David Paige describes using technology to sell his entire catalog–and a live recording from that night’s performance–on a slap-on USB. Indiehitmakers’ Bram Bessoff then added a strategy to leverage those physical media sales to boost where they chart.
Photo of Bram Bessoff on the dais
Indiehitmaker’s Founder/President Bram Bessoff discusses the importance of logos. Here he is holding a David Paige slap-on wrist band with USB.

A Roadkill Opera‘s Stephan Alexander Parker described the importance of extending the range of merch from bumper stickers to limited edition neck ties. Another audience member described custom-imprinted harmonicas.

Photo of a woman in the audience holding a microphone and describing her merchandise strategy
Audience members listen attentively in the CD Baby DIY Musicians Conference 2017 session “Making Music Merchandise Work for You” as the woman on the left describes the custom-imprinted harmonicas that she sells to her fans–including a 1-inch version (that is, a 1-inch harmonica). Hmmm, that might make a good tie-in for A Roadkill Opera‘s grand finale…
Merch Cat’s Founder/CEO Vanessa Ferrer describes the costs and qualities of t-shirt fabrics at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee
Photo of YouTube swag--tube socks at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
If you paid attention at the YouTube session at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee, you could snag YouTube swag–in this case, tube socks. And they match the viola case for A Roadkill Opera!

In the Ballroom, Rick Barker, President and CEO of Social Media for Music, described tools for monetizing live streaming.  Barker knows a thing or two about marketing, having spent two years managing the day-to-day career of superstar Taylor Swift. He got his start managing a girls soccer team. He served as Social Media Mentor for the American Idol contestants and currently manages Idol winner and Big Machine recording artist Trent Harmon.

Photo of A Roadkill Opera's Librettist/Executive Producer Stephan Alexander Parker and Social media for Music's President/CEO Rick Barker at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
It’s a small world: A Roadkill Opera‘s Librettist/Executive Producer Stephan Alexander Parker and Social Media for Music’s President/CEO Rick Barker met at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee, and discovered they are both fans of and friends with Ben Ganz of Vego Pictures.

“If you are live streaming, be sure to set up a “virtual tip jar” as the first comment,” as Dawn Beyer does, says Rick Barker. “Make it feel like a one-on-one setting.  Just start the conversation–like, how much I like Weird Al,” says Rick Barker.

Photo of Rick Barker keynote at CD Baby's DIY MUsicians Conference 23017 in Nashville, Tennessee
“Give first. Sell later. It’s about the relationship.” Rick Barker provided sterling advice about building fan loyalty.
Photo of Rick Barker keynote on huge stage with la crowd of 1,000 to 1,500 people at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
“Stripperize — you’re the only one, #learnfromthepervs,” says Rick Barker

At live shows, “If they cry, they buy. Announce that that song is available on your CD,” says Rick Barker.

Photo of full stage for Song Pitch Session at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
Bob Boilen moderated the Song Pitch Session at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee
Photo of Bob Boilen of NPR Radio's All Songs Considered led a anel discussion at Song Pitch Session at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
Bob Boilen of National Public Radio’s All Songs Considered led a panel discussion at the Song Pitch Session at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee
Photo of Pokey LaFarge and Bob Boilen with Dmitri Vietze watching at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
A Roadkill Opera‘s Stephan Alexander Parker had a front row seat as Pokey LaFarge played and Bob Boilen interviewed Pokey. Dmitri Vietze, Founder/CEO of Rock Paper Scissors is watching in the foreground at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee.
Photo of Bob Boilen of NPR Music's All Songs Considered and A Roadkill Opera's Librettist/Executive Producer Stephan Alexander Parker at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
A shared passion for all genres of live music–that is what Bob Boilen of NPR Music’s All Songs Considered and A Roadkill Opera‘s Librettist/Executive Producer Stephan Alexander Parker have in common. When Parker mentioned he had been a sound man in the Chicago punk scene in the late 70s and early 80s, they found they both knew and appreciated Steve Albini (aka Big Black). Here they are at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee, where Boilen was kind enough to autograph his book “Your Song Changed My Life” for Parker–given the Chicago connection, Boilen suggested Parker read the interview with Dave Grohl. Boilen laughed when he saw the bumper sticker that read “If you see roadkill, think opera.”
Photo of Artomatic artists Ashira and A Roadkill Opera's Stephan Alexander Parker at CD Baby's DIY Musicians Conference i2017 in Nashville, Tennessee
Artomatic artist Ashira and A Roadkill Opera‘s Stephan Alexander Parker at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee. Ashira was in the very first Artomatic in 1999, while Parker was in the second Artomatic in 2000. Artomatic is the largest non-juried art event in the Washington DC area. A Roadkill Opera was workshopped and had its first concert performance at Artomatic 2012 in Crystal City, Virginia, for which a Hatch Show Print poster was commissioned.
Photo of Rob Flax as he checks out the score to A Roadkill Opera at CD Baby's DIY Musicians Conference 2017 in Nashville, Tennessee
Multiinstrumentalist/composer/educator and serial viola jokester Rob Flax checks out the violin part in Parker & Paer’s score to A Roadkill Opera at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee. No violas were injured in the making of this photograph… but we’re going back next year to try again.
The Roadkill Opera Merchandise banner display showing all manner of mercy for sale, from hats and bottle openers and bumper stickers, to sheet music and CDs, to neckties and books
The Roadkill Opera Merchandise banner display shows the most popular items in the Roadkill Opera merch line. This banner is used at live events, including Artomatic, the Gaithersburg Book Festival, and performances of the Symphony Orchestra of Northern Virginia. Note the chopsticks in the middle: the ideograms were verified by registration staff at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee, to read “double happiness” on the red sleeves and “harmony” on the chopsticks imprinted A Roadkill Opera DIY. This banner could be called “business.”
Banner showing the cover of the libretto for A Roadkill Opera, above which are the lobby card showing the cast and an action photo from the January 2016 world premiere performances at the Mead Theatre Lab at Flashpoint in Washington, Dc
A Roadkill Opera showed two banners in a display hailed as an example of good practice at the Merch Cat sessions at CD Baby’s DIY Musicians Conference 2017 in Nashville, Tennessee. This one could be called “show.” It includes the cover of the libretto for A Roadkill Opera, above which are the lobby card showing the cast and an action photo from the January 2016 world premiere performances at the Mead Theatre Lab at Flashpoint in Washington, DC

A Roadkill Opera Releases Lyrics to “Torn Down”

Torn Down

Debby
Torn down?

Stephan
That is their intention.

Debby
Torn down?

Stephan
It seems no evidence of our existence
can escape their wrecking ball.

Debby
Torn down?

Stephan
Torn down. ­

Debby
Torn down?

Stephan
Torn down, torn down!

It seems no evidence of our existence
can escape their wrecking ball.
Got no sense of history.

Debby
It’s not fair. How can they do this?
Like they don’t they care about their shows?

Stephan
Apparently they are governed
by a higher rate of return;
meeting rooms;
catering mark-ups;
audiovisual rentals …

Debby
This, the best place to see
Loose Ties!

Stephan
Or to see Shelley and Kelly?
To see Shelley and Kelly?
So cozy …

Debby
My thought exactly.

Stephan
Here, yes, I’d hoped to do great things.

Debby
That’s the end of the song!

Stephan
I’d like to’ve seen Susan Carlman.

Debby
Ah, and Beth McIntosh!

Stephan
Can’t believe they’d tear this down,
can’t believe they’d tear this down.

Here I’ve seen some great acts, many times,
many times. So much talent!

Debby
Deadly Ernest, Deadly Ernest.

Stephan
It disgusts me what they’re doing;
oh, this is nice, oh, this is good …

Debby
Johnny Gimble, Johnny Gimble.

Stephan
Now after all these years,
all goes away, all goes away like that!

Debby
(whistles)

Stephan
It makes me sick just to think about it,
just to think about it.

Debby
What a waste of space, oh, what a waste of space,
it sickens me now!

Stephan
Well, I think it could have been much worse—

Debby
Side, talkin’ ’bout Side Channel Swing Band.

Stephan
—it could have happened before our show.

Debby
Saw Sawmill Creek here, and Doc Watson.

Stephan
Despite this setback we must prepare the cast
now to put on the show.

Got to prepare to put on the show,
to put on the show, to put on the show,
to put on the …

Debby
Got to impress them, must be prepared to
impress them,
must be prepared to impress, be prepared.
Stephan
The show must go on, the show must go,
the show must go on.

Stephan
Yes, we’ve got to prepare the cast
to go on with the show, the show.

Debby
To have a great time, great time,
great time, great time at this bar, oh,
you don’t have to be a superstar.

Stephan
You don’t have to be a star,
no, you don’t have to be a star.

Debby, Stephan
You don’t have to be a star,
no, you don’t have to be a star;
have a great time at this bar.

Stephan
You don’t have to, you don’t have to,
you don’t have to be a star.

Debby
To have a great time, great time
great time, great time at this bar, ah,

Debby
you don’t have to be a star.
Stephan
Have a great time at this bar
don’t be a star.
To have a great time.
To have a great time

Debby, Stephan
You don’t have to be a star.

Stephan
To have a great time.
To have a great time

Debby, Stephan
You don’t have to be a star.

Stephan
You don’t have to be a a star,
no, you don’t have to be a star,
no, you don’t have to be a star,
to have a great.
You don’t have to be a star
to have a great time at this bar,
no you don’t have to be a star,
not at this bar,
Debby
Be a star
to be a star, no,
to have a great time at this bar,
you don’t have to
be a star
to have a great time.
To have a great time at this bar,
you don’t have to,

Debby, Stephan
you don’t have to be a star
to have a great time at this bar,
no, you don’t have to be a superstar.

Special for the Mad River Boat Trips 40th Anniversary: Hilarious Videos 1988-1992

Video of 16 people hand-carrying a beached raft to the water; a passenger flips over the side and is pulled back in by Parker; Parker is knocked out of his raft and climbs back in.
In 1988, at the conclusion of his third season as a whitewater guide for Mad River Boat Trips, Stephan “Killer” Parker was one of five raft guides on a 21-day private trip down the Colorado River through the Grand Canyon. Parker returned to guide for Mad River for his fourth and final(?) season in 1992, after the final performance of the Roadkill On A Stick Frozen Foods Theatre Company’s  Friday the 13th Roadkill!!! Greatest Hits! show at the Pink Garter Theatre.

If you were at West Table on the Snake River in 1991, then you might well be in Patrick Mignano’s 1991 classic Ed’s Whitewater: Back in Business, a spoof of professional whitewater rafting guides in Jackson Hole. Warning: there is some foul language and the technical quality of the video is not optimal. Highlights are in the 30-minute video below.

Roadkill On A Stick Frozen Foods Theatre Company is the improv comedy troupe that was active in Jackson Hole, Wyoming from 1988-1992. Videos from that period are comedy gold!

The signature sketch “Frozen Roadkills On A Stick,” written by Ed Bachtel, turned the Roadkill On A Stick Frozen Foods Theatre Company from a concept to an established show, running for 22 performances over 8 weeks at the Wort Hotel in Jackson, Wyoming, during the Yellowstone fires of 1988.

In this excerpt from the full show, Dave Rohrer put his spin on Psycho Killer, then Ed Bachtel sells roadkill to Holly Danner and Stephan Parker. Then, as at every show, the grand finale was The Star Spangled Banner as only this troupe could present it.

“Weird Ed” Bachtel, a guide for Barker-Ewing Whitewater, and Stephan “Killer” Parker, a guide for Mad River Boat Trips, co-produced this show under a legal partnership. For the 1988 season, they were joined by Dave Rohrer of Lifelink International/Croakies, and Holly Danner from KMTN-FM. The video for “Cod Piece Dining Room” is from the 1992 show, with Louise Gignoux replacing Holly Danner.

These recording are from the final performances of the 1988 and 1992 comedy troupes. The hour leading up to their first performance (on Independence Day weekend 1988) is immortalized in the underground opera sensation A Roadkill Opera.

A Roadkill Opera is based on a true story. A brief video recorded at the GRAMMYs in February 2015 gives you some background.

The song “Geo expresses the joy of performing. It also discusses the relative merits of the then-new line of cars from Chevrolet.

Comedy Gold! Live Videos from 1988-1992 Roadkill On A Stick Frozen Foods Theatre Company

Never before seen video from Roadkill!!! Live! is being released in honor of the 40th anniversary of Mad River Boat Trips. Boatmen from Mad River and Barker-Ewing Whitewater put this show on 3 nights a week over 8 weeks at the Silver Dollar Bar in the Wort Hotel in Jackson, Wyoming, during the Yellowstone fires of 1988–and also hosted the areas only open mic night once a week at Spirits of the West Saloon.

The signature sketch “Frozen Roadkills On A Stick,” written by Ed Bachtel, turned the Roadkill On A Stick Frozen Foods Theatre Company from a concept to an established show.

In this excerpt from the full show, Dave Rohrer put his spin on Psycho Killer, then Ed Bachtel sells roadkill to Holly Danner and Stephan Parker. Then, as at every show, the grand finale was The Star Spangled Banner as only this troupe could present it.

“Weird Ed” Bachtel, a guide for Barker-Ewing Whitewater, and Stephan “Killer” Parker, a guide for Mad River Boat Trips, co-produced this show under a legal partnership. For the 1988 season, they were joined by Dave Rohrer of Lifelink International/Croakies, and Holly Danner from KMTN-FM. The video for “Cod Piece Dining Room” is from the 1992 show, with Louise Gignoux replacing Holly Danner.

These recordings are from the final performances of the 1988 and 1992 comedy troupes. The hour leading up to their first performance (on Independence Day weekend 1988) is immortalized in the underground opera sensation A Roadkill Opera.

A Roadkill Opera Releases Lyrics to “In A Clearing”

In A Clearing

Eddie
‘t’s a beauty, beauty, beauty, beauty!
Beauty! Beauty!

A big house, big house, big house, big house.
Big house! Big house!

It must sell quite well, it must sell quite well.

Holly
Hey, what is all this noise?

Eddie
We must sell out the house.

Holly
So tell me now, what is the problem,
can I help?

Eddie
A fart is a fine thing,
it makes people smile.

A fart is a fine thing,
it makes for big laughter.

Make it loud and make it
bump and squeak and make it sticky!

Like this, like this,
(cups hand under arm and pumps)
qui qui, qui qui.

Holly
Seriously?

Eddie
I am as serious as a heart attack
so listen up and listen up tight.
You hear me?

“In A Clearing”
“In A Clearing” needs a punchier line …
or ending.

Holly
Hold your horses.
I think the sketch plays fine.

Eddie
Sure, it does, but…

(Marvin hammers)

Holly
Marvin! Your timing is perfect!

Eddie
Just hear me out, my thinking is …

Holly
This is no time to think.
Eddie
… it’s not really funny.
Maybe if we add a monkey …

Holly
It’s funny enough, it will get laughs.
It is funny enough it will get a good laugh.
Eddie
… it could be a cash cow.
Just add a monkey, it could be a cash cow!

Holly
It is funny enough it will get a good laugh!
Eddie
Just add a monkey, it could be a cash cow!

Holly
This fellow is crazy! Oh, no!
This night is too important, so
don’t change the script on me now.
This night is too important, so
don’t change the script on me now,
don’t change the script right now.

Eddie
Or how ‘bout a llama? With your camera?

Holly
Be hard now to switch from
the script which we staged . . .
. . . and rehearsed and which
takes place in Yellowstone Park.

Eddie
Oh, don’t be like this,
oh, don’t be like this,
oh, don’t be like this,
Holly
Oh me, oh me, oh me.

Eddie
it’s a piece of cake.

Holly
It’s a question of blocking,
a question of blocking,
you are freaking me out!

Eddie
Perhaps a hissing lizard, perhaps a hissing lizard!
It could pick up the pace,
think of what it could do,
it could spook out the bear,
it could bite the bison,
or goose a moose!

(Marvin hammers)

Holly
Marvin! Your timing is perfect!

Eddie
Love it, love it!

(Marvin hammers)

Holly
Marvin!

(Marvin hammers)

Eddie
Love it, love it!

(Marvin hammers)

Holly
Marvin! This is no time to think.
Eddie
Love it, love it, love it, love it!

(Marvin hammers)

Eddie
Just hear out my thinking …

Holly
It is funny enough, yes,
funny enough, yes,
funny, yes, funny, yes, funny, yes, oh
Eddie
please hear out my thinking.
Please hear out my thought;
just add a monkey, it will mean cash. Oh.

(Marvin hammers)

Holly
… enough, yes. Oh, yes.
It will get a good, oh,
it will get a good, oh,
it will get a good laugh.
Eddie
If we add a monkey,
we’ll get a cash cow!
We’ll get a cash cow,
we’ll get a cash cow.

Holly
It’s funny enough
it will get a good laugh.
It’s funny enough
it will get a good laugh.
Eddie
If we add a monkey,
we’ll get a cash cow!
If we add a monkey,
we’ll get a cash cow, yes, sir,

Holly
It will get some laughs. Ah, laughs.
Eddie
get a cow, get a cow, get a cow,
get a cow, get a cow, get a cow, get a cash cow!

A Roadkill Opera Releases Lyrics to “Impress Them”

Impress Them

Holly

Tonight, my goal is to go out and
impress them all for once!

Impress them, impress them, tonight!
Impress them. Impress them
all tonight, them all tonight;
impress them!

I must get them to promote me.
I must get them to think,
to promote me to disc jockey.

I must get them to promote me
to be on air, to be a real disc jockey.

My dear, this may be my last chance
to move from news to dee-jay.

My dear, this may be
my chance to move and
I cannot mess it up, no no no no no no no
to move from news to dee-jay.

Tonight is my chance to prove
that I belong on air.

I can’t blow my big chance.

To count, I must really shine,
And show that I have star quality.
To prove I belong on air!

Tonight is my big chance to prove
that I belong on air.

I can’t blow my big chance
to prove that I should be on the air.

I can’t blow my big chance.

Tonight, I must shine like stars
to prove that I belong on air. Ah…

Tonight, I must shine like a star
to show I belong,
I must, I must, I must shine like a star
to show that I belong,
I must, I must, I must, I must, I must show
that I belong,
that I should be on, I should be on air,
I should be on air,
I belong on air!